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In Knottenkino, the change comes with sitting down, depending on how turbulent the weather is currently. Dramatic or gentle changes of the optics of transparency, of holiness, of closeness and distance, of tension of poetry, of statement short of development on one's own state of mind.
From Texel to Penegal and even further to Weißhorn. And who can stay around on feature length, comfortable and robust but not upholstered as life itself, are the 30 armchairs made of steel and chestnut wood (artist Franz Messner, Renon) - gets a second film is still the inner runs and he himself as the main actor and director; the one with the open exit as in real life.
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